Ilwoo Photography Award

Introduction to the Ilwoo Art Awards

Introduction to the Ilwoo Art Awards

  • Ȩ
  • Introduction to the Ilwoo Art Awards
  • Artists of the year

The 2nd Photographer of the Year

The Art of Photography psychologist Shin Soo-jin's

perspective

Choi WonJun and Colling Status

  • It started around when I was twenty. And that situation has been remembered as a dictionary and has continued for a long time. It's been with me and you since some time, and what I'm about to say is that old story. I know for sure, but I might be writing with the image floating in my head. It has many names, and many people will understand it in the words of division and cold war. There was something a long time ago and it was the beginning, but I decided not to mention it here. I worked hard for over two years to confirm that reality, and this behavior of mine was possible because the times had changed. I know people who did this with a clear purpose not long ago. But even my aimless behavior would have been enough reason for someone to take me somewhere if it had been in the past. Maybe all artistic attempts are not without purpose, but the start of this work had no purpose for me. Because it's a kind of action that a viewer can do. I just observed this and enjoyed the new and cold feeling that the landscape where function and purpose are combined gives me.
  • Most of these long-resting facilities have a common point in that they are waiting for a war that may happen at any time, not for attack but for defense as the main purpose. Bunkers and beats and defensive walls and lines that any Korean adult man would know well are the main subjects I observed. And all of these can be talked about with words such as camouflage, construction, and arrangement. These military facilities want to hide their real substance by revealing a kind of fictitious facade to the viewer by camouflaging themselves, which is one of the traditional camouflage methods of military facilities. Also, the functionality that determines the form is shown by using solid concrete, and the defensive wall performs its function by blasting concrete to block the road. But the defensive walls that have not yet performed their function have been built into one space, losing their temporality in the concept of camouflage or concealment, enduring tense times in their place. It even makes me think that it looks like a method of practical camouflage that is assimilated into nature as if it were part of nature, which is applied to military facilities in nature such as bunkers and beats. However, the feeling given by the old temporality looks beautiful regardless of the representation of the place. This beauty would have been much different from the emotion when some art graduate soldier drew a map in a bunker, but it looks enough to have wanted to express this paradoxical beauty in his mural. This paradoxical beauty is slowly being covered under the desire for economic development.
  • The representative work of the outskirts economic development, the Eunpyeong New Town project, is being implemented, and the more the land is dug and the mountains are cut, the internal structure of the hidden military facilities is revealed, and soldiers and construction workers are excavating instead of archaeologists on the site. One by one, the disappearing military relics, intertwined with the desire for nothing new in New Town, can be seen as one aspect of political and social changes in North Korea policy. This is a process of heading towards the reconstruction of new desires along with the dismantling of constructed time, and the landscape shows an orderly arrangement like a defensive line. This is a camouflage and concealment of another area, but it gives many people a pleasant imagination about wealth. And the military facilities that are disappearing before the desire that has already surpassed the logic of national security have not fulfilled their mission and all that started are escaping from somewhere in the solid concrete gap and going somewhere. They, who were made to meet all needs, are now going somewhere where there is nothing, and I don't know if it's the influence of some transcendental power that I can't see or because of the slow steps of time that I can't visualize. However, I know that a new meaning should be given to that vacant place at any time, and that newness will become a vacancy again.
  • UNDERCOOLED : In chemistry, it refers to the state of overcooling, which remains as a liquid without turning into ice even when it goes below the freezing point (0 degrees Celsius).

Photographer Choi, WonJoon

Exhibition Experience
(Solo)

2011
Red Cloud, Ilwoo Photo Award Commemorative Exhibition, Ilwoo Space, Seoul
2010
Paju, Touch Art Gallery Invitational, Heyri
2009
Townhouse, Insa Art Space Selected by Competition, Seoul
2008
Undercooled, Alternative Space Pool Artist Support, Seoul
2006
Underground (Texas Project, Collatech Series), Brain Factory Selected by Competition, Seoul
Underground (Underground Series), Duo Art Gallery Invitational, Seoul

Exhibition Experience
(Project Exhibition)

2007
Unfinished Project_Island, Insa Art Space, Seoul

Exhibition Experience
(Two-Person)

2007
Dual Space, Choi Won-jun & Liu Ren, Gallery Wood, Dashanzi 798, ChinaExhibition

Exhibition Experience
(Group)

2011
Hermès Art Award (Scheduled), Hermès Atelier, Seoul
Flower on Snow, Daejeon City Museum of Art, Daejeon
2010
xyZ city, Yeongdeungpo Times Square, Seoul
From Mouth to Mouth to Mouth, Subsidiary of the National Museum of Contemporary Art, Serbia, Belgrade
Monumental Travel, Koryana Art Museum SpaceC, Seoul
Empty House, Songwon Art Center, Seoul
Day of Pride, Alternative Space Pool, Seoul
Residency Parade, Incheon Art Platform, Seoul
2009
Blue Dot Asia, Hangaram Art Museum, Seoul
Crane No. 85 - The History of a Watchtower, Peace Museum, Seoul
New Political Art After the 90s - Bad Guys Here Now, Gyeonggi Museum of Art, Ansan
Gwangju Design Biennale, Special Exhibition_Living, Gwangju Biennale Exhibition Hall, Gwangju
Dream House, Alternative Space Pool
Photo-op, Northwest Photo Center, USA
Young Exploration, National Museum of Modern and Contemporary Art, Gwacheon
2008
6th Taipei Biennale, Taipei City Museum of Art, Taiwan
Neighborhood Facilities, Alternative Space Pool, Seoul
International Contemporary Photo Festival - Other Areas, Novosibirsk City Museum of Art, Russia
16 Korean Contemporary Photographers, Noh Gallery, Seoul
2007
Solid Scene, Art Beat Gallery, Seoul
Questions Surrounding the City (ARCO Art Fair Special Exhibition), Canal de Isabel II, Spain
2006
Shadow - 3rd Human Rights Today, Shinhan Gallery, Seoul
Door to Door 4, Alternative Space Pool, Seoul
Drift Diary, Dongduk Art Gallery, Seoul
Don't Emigrate? III - Dongsung Sightseeing, Gallery Jeongmiso, Seoul
Pull the Trigger, BB Space, Daejeon
2005
Portfolio 2005, Seoul City Museum of Art, Seoul
Pick&Pick, K237 Residential Environment Improvement Industry, Ssamji Space, Seoul
2004
At first sight, Daegu Donggu Culture and Sports Center, Daegu
Document, Seoul City Museum of Art, Seoul
2002
Seoul Fringe Festival, Ssamji Space sori, Seoul
2001
Independent Art Festival, Ssamji Space sori, Seoul

Projection and Screening

2010
International Experimental Film Festival, Art House Momo, Seoul
2010
Street and Public Space, Arles Photo Festival, France
2007
G+SCREENING, Photography from Korea, INDEXG, Canada

Publication

2009
Choi Won-jun Photo Book_Geography of Sight, Text - Moon Young-min (Associate Professor, University of Massachusetts Amherst), NoonBit Publishing Co.

Fund Selection and Awards

2010
Ilwoo Photo Award, Ilwoo Foundation, Seoul
2009
Honorable Mention, Northwest Photo Center, USA
2009
Emerging Artist Support, ARKO Art Museum, Seoul
2006
International Exchange Resource, Korea Arts Council, Seoul

Residency

2011-2012
: Palais de Tokyo Le Pavillon, Paris
2011-2012
Samsung Cité Internationale des Arts Studio, Paris
2009-2010
Changdong National Creation Studio

Artwork Collection

Gyeonggi Museum of Art
Museum, Gwacheon National Museum of Modern and Contemporary Art
Peace Museum, Seoul

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